Rothschild Group

Modern businesses, investments, and philanthropy

The family has fully restored Spencer House, St. James's Park, London.
Since the late 19th century, the family has taken a low-key public profile, donating many famous estates, as well as vast quantities of art, to charity, and generally eschewing conspicuous displays of wealth. Today, Rothschild businesses are on a smaller scale than they were throughout the 19th century, although they encompass a diverse range of fields, including: real estate, financial services, mixed farming, energy, mining, winemaking and nonprofits.

The neo-Gothic Castle de Haar

Cultural references

In the words of The Daily Telegraph: "This multinational banking family is a byword for wealth, power – and discretion... The Rothschild name has become synonymous with money and power to a degree that perhaps no other family has ever matched."

The neo-Gothic Rothschildschloss, Waidhofen

Writing of the Rockefeller and Rothschild families, Harry Mount writes: "That is what makes these two dynasties so exceptional – not just their dizzying wealth, but the fact that they have held on to it for so long: and not just the loot, but also their family companies."[103]
The story of the Rothschild family has been featured in a number of films. The 1934 Hollywood film titled The House of Rothschild, starring George Arliss and Loretta Young, recounted the life of Mayer Amschel Rothschild and Nathan Mayer Rothschild (both played by Arliss). Excerpts from this film were incorporated into the Nazi propaganda film Der ewige Jude (The Eternal Jew) without the permission of the copyright holder. Another Nazi film, Die Rothschilds (also called Aktien auf Waterloo), was directed by Erich Waschneck in 1940. A Broadway musical entitled The Rothschilds, covering the history of the family up to 1818, was nominated for a Tony Award in 1971. Nathaniel Mayer ("Natty") Rothschild, 1st Baron Rothschild appears as a minor character in the historical-mystery novel Stone's Fall, by Iain Pears. Mayer Rothschild is featured in Diana Gabaldon's novel Voyager as a coin seller summoned to Le Havre by Jamie Fraser to appraise coins, prior to the establishment of the Rothschild dynasty, when Mayer is in his early 20s. The Rothschild name is mentioned by Aldous Huxley in his novel Brave New World, among many names of historically affluent persons, scientific innovators and others. The character, named Morgana Rothschild, played a relatively minor role in the story. The name Rothschild used as a synonym for extreme wealth inspired the song "If I Were a Rich Man", which is based on a song from the Tevye the Dairyman stories, written in the Yiddish as Ven ikh bin Rotshild, meaning 'If I were a Rothschild'
In France, the word "Rothschild" was throughout the 19th and 20th centuries a synonym for seemingly endless wealth, neo-Gothic styles, and epicurean glamour. The family also has lent its name to "le goût Rothschild," a suffocatingly glamorous style of interior decoration whose elements include neo-Renaissance palaces, extravagant use of velvet and gilding, vast collections of armour and sculpture, a sense of Victorian horror vacui, and the highest masterworks of art. Le goût Rothschild has influenced designers such as Robert Denning, Yves Saint Laurent, Vincent Fourcade and others.
"Yes, my dear fellow, it all amounts to this: in order to do something first you must be something. We think Dante great, and he had a civilization of centuries behind him; the House of Rothschild is rich and it has required much more than one generation to attain such wealth. Such things all lie much deeper than one thinks."

Conspiracy theories

See also: List of conspiracy theories § Antisemitic conspiracy theories, and Antisemitic trope § Controlling the global financial system
Over more than two centuries, the Rothschild family has frequently been the subject of conspiracy theories. These theories take differing forms, such as claiming that the family controls the world's wealth and financial institutions or encouraged or discouraged wars between governments. Discussing this and similar views, the historian Niall Ferguson wrote that, 
Without wars, nineteenth-century states would have little need to issue bonds. As we have seen, however, wars tended to hit the price of existing bonds by increasing the risk that a debtor state would fail to meet its interest payments in the event of defeat and losses of territory. By the middle of the 19th century, the Rothschilds had evolved from traders into fund managers, carefully tending to their own vast portfolio of government bonds. Now having made their money, they stood to lose more than they gained from conflict. [...] The Rothschilds had decided the outcome of the Napoleonic Wars by putting their financial weight behind Britain. Now they would [...] sit on the sidelines.
Many conspiracy theories about the Rothschild family arise from anti-Semitic prejudice and various antisemitic tropes.